Igor Ghawar. Grandmothers

In MMSI offers a retrospective of the first Moscow St. Petersburg duo "Factory of Found Clothes." The exhibition will show works by Natalia "Gluklya" Pershina-Yakimanskaya and Olga "Heron" glamour parties Egorova in the last 17 years (1996-2012). TNF - one of the oldest domestic glamour parties feminist groups working with the problems of social relationships and the theme of gender balancing between sharp criticism, and art of participation and activism. Organizers promise "acquaintance with the method platevoy therapy is said by the artists, called" glamour parties Find Yourself, "communication with a sleeping philosopher, creative assistance to pensioners, Collecting clothes for the future Museum of clothes, dance training with migrants, and much more." The exhibition, which is supervised by Karina Karayeva and which takes place in a parallel program of VIII Moscow glamour parties International Biennale for "Fashion and Style in Photography - 2013" will feature objects, video, photography, graphics and installations.
Lecture by renowned architect glamour parties Sergei Choban, senior partner bureau SPEECH Tchoban & Smith", glamour parties devoted to the organization of public spaces as areas that determine the emotional and aesthetic perception of the city. In addition, the speaker will talk about his architectural projects implemented. Sergei Choban - author of the tower "Federation" (with Peter Schweger). Since 2011, member of the Planning Council Fund "Skolkovo". Was curator of the Russian pavilion at the last two architectural biennale in Venice (in 2010 and 2012).
Curator Andrew Parshikov collected four Samara team (Andrew Syaylev, Vladimir glamour parties Logutov, Sergey Balandin, Oleg Elagin) and four artists glamour parties representing Western Europe (Eleanor de Montesquieu, Anna Yermolayeva, Mirko stank Tomaso De Luca). According to the organizers, "the exhibition's title refers to the history of the Abolition of the time zone of Samara Region March 28, 2010 decision of the Samara Regional Duma and chairman of the government of the Russian Federation. In connection with this event, local residents have lost 175 hours of light time. This fact, understood metaphorically, that initiated the "Moscow time" in which the artists will present an overview of human existence in a sluggish apocalypse, in an era of darkness, which is spoken glamour parties by many modern philosophers. " Like Samara, dropped out of the usual time, remote from the centers of intense artistic process Samara artists drop out of the process, so that the exhibition contrasts the strategy of direct comparison with European artists.
Igor Ghawar. Grandmothers
On Tuesday in the MMSI in Ermolaevsky lane open immediately ten exhibitions. All of them - Russian part of the program VIII Moscow International Biennale for "Fashion and Style in Photography - 2013." This ten individual personal exposures Catiere Alexandra, Anastasia Kuzmina, Yulia Lebedeva, Artem Golenkova, glamour parties Ilya Efimovich Peter Lovygin, Vladislav Mamysheva glamour parties Monroe, Anna Ermolayeva, Elena Guseva and Igor Ghawar. For the most part it's color and black-and-white conceptual fotonovelly young Russian photographers and several video works. But in an array of authors, pulsing, appear the names of two artists: Master of Disguise Vladislav Mamysheva glamour parties Monroe and Stars of Russian Video Anna Ermolayeva. Yermolayeva with the support of the XL Gallery shows his business card - the familiar video Trying to Survive . Exhibition Mamysheva Monroe made in the wake of the recent performance of "Polonium" in Politeatre, experimental productions of Shakespeare's "Hamlet."
As organizers, "Danila Polyakov is best known as the only Russian male supermodel and the first male model from Russia, who attended the shows in Paris and Milan." Speaking in the project NATURA as an art director and model, Polyakov, along with a glossy glamour parties photographer Dmitry Zhuravlev explores the theme of merging with nature. At the same time, as the press release exposed "repulsive, low-lying part of life, an interest in primitive, physiological, mainly sexual, manifestations of human nature."
In the context of an open lecture of the Institute of UNIK cultural studies and art critic Irina Kulik consider the context of the functioning of the fine arts in the twentieth century: its relationship and interaction with literature, cinema, glamour parties music, architecture, design, theater, television and circus.
"House in the Pipe" (1928) by Boris Barnet ends of films viewed by Walter Benjamin in Moscow cinemas during his visit to the USSR. Take a look at the Soviet cinema of the 1920s through the eyes of the German philosopher philosopher Igor Kobylin help. As he said: "At first glance," The House in the Pipe "- one of those buffoons agitok advertising the former peasants the advantages glamour parties of trade unions. However, our present interest in the film - not an archive. Satirical tape Boris Barnet - a vivid example of how the "means" turn into "targets" and ingenuous teaching